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  • Yong Yao
    Yong Yao
    Educator; Performing Artist: Choreographer, Dancer
    Mr. Yao is an internationally renowned dancer, choreographer and dance instructor from Beijing. He began dancing with the Hubei Province Dance Company at the age of twelve. In this company he was trained in Chinese classical and folk dance technique as well as ballet basics. In 1980 Mr. Yao won a first place individual dancers award for Hubei Province and third place in the China National Dance Competition. Later that year, Mr. Yao was chosen for college level training at the Beijing Dance Academy, the most prestigious dance school of China. Even as a student in a select group trained by master to become masters themselves, Mr. Yao demonstrated his talents not only as a performer, a leader, but also a choreographer full of refreshing ideas in presenting a theme, a style, a tradition. Upon receiving a degree with honors in the teaching of Chinese dance from the Beijing Dance Academy, Mr. Yao was invited to join the academy faculty. During this period, besides his teaching responsibilities as a lecturer, Mr. Yao choreographed and performed a number of works, including the first place choreography and performance prize winning “Gallop”. In 1986, Mr. Yao was choreographer and director to China Young Children’s Company which toured New York, Washington D.C. and Los Angeles. He was then appointed choreographer and principal dancer of the China Premier Dancers Delegation on it 1987 tour to Singapore and 1988 appearance at the World Arts Festival in Utah, Idaho and Montana. He returned to Singapore in 1988 as choreographer and principal dancer for the Beijing Dance Academy Young Artists Delegation. The Delegation also performed in Hong Kong to rave reviews for his new work, “Yellow River Suite,” a contemporary piece which adopted modern dance techniques in depicting Chinese historical themes. “Yellow River Suite” won first place in choreography at the Beijing Dance Competition later that year. In 1989, “Yellow River Suite” was awarded first place in performance by the Ministry of Culture of China, while his classical piece “Goddess Luo” won third place in the same competition. In 1990, Mr. Yao came to the United States to study modern dance at Cunningham Dance School in New York. He then received an International Dance grant and taught Chinese folk dance and ballet at Snow College, Utah, until joining CPAA in 1991. In the capacity of Artistic Director, Choreographer and Principal Dancer of CPAA since its founding, Mr. Yao both provides artistic direction and choreographed many new works for the company. In the “Chinese Performing Arts Festival” of the past four years, Mr. Yao displayed his superb talent as a choreographer by a wide range of themes, techniques and flavor in his works: “Music in the Moonlight” and “Flower Drum Festival” in 1992;”Drums of Thunder” and the “Dandelion” in 1993; “Dream of Shangri-La” and “Anhui Lion Dance” in 1994; “Nocturne of the Muses,” “Princess Sweet Fragrance” and “Sorrow of the Great Wall” in 1995. “Sorrow of the Great Wall,” a dance drama, was especially well receive by critics and audiences alike. It was hailed as one of the most outstanding Chinese dances in recent years. In addition, Mr. Yao taught master classes at De Anza College, San Jose Dance Theater and CPAA’s own South Bay Dance Academy. His choreography for the tremendously popular Theatre Works production of M. Butterfly won high critical acclaim and was nominated for Bay Area Theatre Critics Circle’s “Choreography in a Drama” Outstanding Achievement Award in 1993. In the same year, he awarded a fellowship by the Arts Council of Santa Clara County for his choreographic achievements. In 1994, China awarded Mr. Yao the highest honor for a choreographer. In a nationwide critical evaluation of dance in 20th Century China, jointly held by China Dancers Association, Arts Research Institute of China, China Literary and Artistic Alliance and other prestigious arts organizations with the endorsement of the Ministry of Culture, Mr. Yao’s “Yellow River Suite” was voted one of 32 “20th Century Masterpieces by Chinese Dancers,” from 3,300 outstanding dances created in the past 100 years. CPAA is very fortunate to have an artist of his caliber at the helms to guide and insure high quality of it repertoire, artists and performances. Mr. Yao is listed in Who’s Who of Contemporary China. Mr. Yao and Dennis Nahat, Artistic Director of Ballet San Jose, jointly choreographed a full length dance drama “Middle Kingdom Ancient China”, which premiered in February of 2005. Mr. Yao also choreographed “Moon Reflection on Crystal Spring” for Ballet San Jose in April of 2006. He received the Santa Clara County Asian Hero Award in 2006, which was featured on ABC’s “Profile of Excellence” in 2008. He joined Hubei Opera and Dance Drama Theatre as Dance Director in 2010.
  • Farah Yasmeen Shaikh
    Farah Yasmeen Shaikh
    Performing Artist: Dancer
    Farah Yasmeen Shaikh is an international kathak artist. Kathaka is a dance form from ancient India. She is a renowned performer, choreographer and instructor, and the Founder/Director of Noorani Dance. Known for her evocative storytelling, technical precision, delicacy and grace, Farah’s unique artistic voice focuses on topics of historical, social and political relevance, whilst simultaneously maintaining the classical elements of kathaka. Farah performs her own traditional and innovative works, most notably, The Forgotten Empress, and The Parting Farah has received support and recognition for her work from the Walter & Elise Haas Fund, New England Foundation for the Arts, Zellerbach Family Foundation, Alliance for California Traditional Arts, and San Francisco Foundation and Dancers’ Group. Based in the San Francisco Bay Area and training the next generation of Kathak artists in the U.S., Farah also performs and teaches in Pakistan throughout the year.
  • Diane Yohn
    Diane Yohn
    Literary Arts: Playwright, Writer
    Writer for stage, television, film, novella, & poetry. Visual artist in photography & computer art with showings at San Jose Institute of Contemporary Art, Triton Museum of Art in Santa Clara, CA, Santa Barbara Arts Pavilion; cover art for numerous books (“The Secret Power of Naming”, “Love in the Fast Lane”, “I Was Indian” Volume II) CURRENTLY: Advisory Board Member for Wild Blackhorse Press ~ Where Indigenous Writing Thrives: www.wildblackhorsepress.com Currently accepting and perusing submissions for an anthology of indigenous erotica. Retired from the following: Founder & Artistic Director of Ableza & Facyt – Native American Arts Association & its youth theatre counterpart, First Americans Conservatory Youth Theatre. Endowed Chair for Radio, T.V., & Film – San Jose State University Intersession programs in Oral Tradition at Stanford University. Guest lectures include: Stanford University University of Washington – Seattle University of California – Santa Barbara, Riverside, Hayward Humboldt State University University of Georgia – Athens. Keystone Speaker & Presenter for the American Alliance of Theatre & Education – Salt Lake City, UT. Feature Presenter of original works: American Literary Association National Conference in Long Beach, CA: “Full Circle” – a one-woman multimedia play. Native American Literature Symposium: In Puerto Vallarta, Mexico: “EverySkin’s Day In Court” In Mystic Lake, MN: “Raw Pearl” Presenter: International Alternative Theatre Conference: Alternative Space – University of San Francisco California Arts Council Conferences – Lake Pomo, CA & Asilomar Awards: Arts Council of Silicon Valley Fellowship in Playwriting for “Tiospe” Frank Silvera’s Writers Workshop Award (NYC) for “Tiospe” American Theatre Association National Award for “The Aftermath” National as well as International Women’s Conference Arts Awards for “Pros & Cons” Recent Publications: Volumes I & II of “I Was Indian” Native American Literature Anthologies of 2010 & 2012 SableLit Magazine 2010 – Indigenous Writers Issue Yellow Medicine Review 2008 Alleged co-conspirator in Kolawin-gate & The Lodgepole Bar; cover-art and poetry contributor for Native American erotic literature collection entitled “Moon of the Popping Cherries”; and even wilder controversies.
  • Al Young
    Al Young
    Educator; Literary Arts: Poet, Writer
    Born May 31, 1939 at Ocean Springs, Mississippi on the Gulf Coast near Biloxi, Al Young grew up in the rural South of villages and small towns, and in urban, industrial Detroit. From 1957-1960 he attended the University of Michigan, where he co-edited Generation, the campus literary magazine. In 1961 he emigrated to the San Francisco Bay Area. Settling at first in Berkeley, he held a variety of colorful jobs (folksinger, lab aide, disk jockey, medical photographer, clerk typist, employment counselor) before graduating with honors from U.C. Berkeley with a degree in Spanish. His marriage in 1963 to technical writer and editor Arline Young was blessed with one child: their son Michael, born in 1971. From 1969-1976 he was Edward B. Jones Lecturer in Creative Writing at Stanford near Palo Alto, where he lived and worked for three decades. In the Y2K year 2000 he returned to Berkeley, where he continues to freelance. Young has taught poetry, fiction writing and American literature at Stanford, U.C. Berkeley, U.C. Santa Cruz, U.C. Davis, Bowling Green State University, Foothill College, the Colorado College, Rice University, the University of Washington, the University of Michigan, the University of Arkansas, San José State University, where he was appointed the 2002 Lurie Distinguished Professor of Creative Writing, and Charles University in the Czech Republic under the auspices of the Prague Summer Programs. In the spring of 2003 he taught poetry at Davidson College (Davidson, NC), where he was McGee Professor in Writing. In the fall of 2003, as the first Coffey Visiting Professor of Creative Writing at Appalachian State University in Boone, NC, he taught a poetry workshop. From 2003-2006 he served on the faculty of Cave Canem‘s summer workshop retreats for African American poets. His honors include Wallace Stegner, Guggenheim, Fulbright, National Endowment for the Arts Fellowships, the PEN-Library of Congress Award for Short Fiction, the PEN-USA Award for Non-Fiction, two American Book Awards, two Pushcart Prizes, two New York Times Notable Book of the year citations, an Arts Council Silicon Valley Fellowship, the Stephen Henderson Achievement Award for Poetry, Radio Pacifica’s KPFA Peace Prize, the Glenna Luschei Distinguished Poetry Fellowship, and the Richard Wright Award for Excellence in Literature. At its May 2009 commencement, Whittier College conferred on him its highest honor: the Doctor of  Humane Letters degree. On October 4, 2011 at the University of North Carolina’s Historic Players Theatre, Al Young received the 2011 Thomas Wolfe Prize. Young’s many books include novels, collections of poetry, essays, memoirs and anthologies. His work has appeared in Paris Review, Ploughshares, Essence, the New York Times, Chicago Review, Seattle Review, Brilliant Corners: A Journal of Jazz & Literature, Chelsea, Rolling Stone, Gathering of the Tribes, the Norton Anthology of African American Literature, and the Oxford Anthology of African American Literature. In the 1970’s he wrote film scripts for producer Joseph Strick, Sidney Poitier, Bill Cosby, and Richard Pryor. In the 1980’s and 90’s, as a cultural ambassador for the United States Information Agency, he traveled throughout South Asia, Egypt, Jordan, Israel and the Palestinian West Bank. In 2001 he traveled to the Persian Gulf to lecture on American and African American literature and culture in Kuwait and in Bahrain for the U.S. Department of State. Subsequent lecture tours have taken him to Southern Italy in 2004, and back to India in 2005. His poetry and prose have been translated into Italian, Spanish, Swedish, Norwegian, Serbo-Croatian, Polish, Chinese, Japanese, Russian, German, Urdu, Korean, and other languages. Blending story, recitation and song, Young often performs with musicians. In 2005, Governor Arnold Schwarzenegger appointed him Poet Laureate of California.
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