Deborah Mills Thackrey

Deborah Mills Thackrey

deborah@dmt-art.com

Website: http://www.dmt-art.com

   San Jose, CA

Photographer Deborah Mills Thackrey was born in the Texas Panhandle town of Amarillo in 1953. Numerous childhood trips along old Route 66 thru the Southwest instilled in her a wanderlust and love of the passing scenery including dramatic sunsets, old motel signs, roadside attractions like snake shows, desert landscapes, the Navajo Indian reservation, Burma Shave signs, and National Parks like the Petrified Forest, Painted Desert, and the Grand Canyon.

Iconic images from the Vietnam War and 60’s cultural protests inspired in her a love of the ability of the photojournalist to capture a meaningful moment in time. She joined her junior high yearbook staff in order to get her hands on her first camera. As the only photographer in high school journalism class she was left alone in the darkroom to develop her skills. This put her on the path of being self-taught and independent most of her career.

Thackrey migrated to California at the age of 20, unable to get into regular art classes at San Francisco State she began to study theatrical design. The influence of her makeup and costume design is visible in her projected nudes series. In the next phase of her life she began a career as a graphic designer which gave her an opportunity to work art directing top commercial photographers at major corporations such as Apple.

She also spent 30 years studying modern dance with a student of seminal modern dance pioneer Lester Horton. Recent projects include a third collaboration with dancer Ishika Seth at the Theatre Yugen in San Francisco projecting her textural photographs and videos onto dancers who improvised to the content of the images.

When her husband Tom returned to photography about a decade ago, she picked up a camera again as well, after more than a 20 year absence. They spent time in the esteemed photographic community of Carmel beginning friendships with photographers such as Edward Weston’s grandson Kim. Within a couple of years of serious immersion in photography, Thackrey was offered her first solo exhibit in Monterey at the Stefani Esta gallery in 2002. She began to regularly win prizes in juried shows in Los Gatos and Santa Clara with curators such as Philip Linhares from the Oakland Museum and the Triton’s George Rivera. Solo exhibits in Los Angeles and Palo Alto followed, as well as being included in more than 50 group shows ranging from the Texas Photographic Society, to galleries in San Francisco, San Jose, Los Angeles, and Monterey.

Thackrey has recently become an activist for artists in the South Bay as one of the founders of the Silicon Valley Artists’ Collaborative with the goal of helping to create more recognition and opportunities for local artists. She has been trying her hand as a curator and gallerist founding the Axis Art Gallery in downtown San Jose’s Axis high rise.

Thackrey won the coveted 2009 Arts Council Silicon Valley Fellowship Grant for Photography which included a show in the rotunda of Santa Clara’s Triton Museum. Her work is in private collections from New York to LA and Marin County and in corporate collections such as Adobe.

MORE ABOUT THE ARTIST

What did the Fellowship or Laureate mean to you at the time you received it?

It was an incredible validation of my work. And the attending show at the Triton was my first museum show. I felt as though I were at the next level in my career.

What do you do now? Has your art evolved or changed?

After the fellowship I took a slight sidetrack into starting my own gallery, curating in San Jose and San Francisco, and being an advocate for the arts in Silicon Valley. I moved to New York state in 2012 and am strongly focused on polishing my work and getting it into NYC galleries, exploring other media, and writing. I've been in a couple of shows in NYC now and received my first public commission, a 90 ft. long banner that hung in Kingston for six months.

What is one piece of advice you would give to an emerging artist?

Do it for yourself first and keep pushing your boundaries.

Briefly, how would you describe the state of the arts locally, as well as national and beyond?

Dreadful trend toward the conceptual.

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