Computer Arts Artist Categories

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Cassandra Anais Lake

Visual Artist: Computer Arts

I live in a Northern California forest, permaculture-style. Life is enchanting. My eleven year old child loves his homeschool. We study naturopathy and electronic arts. In a few years we’ll travel earth to produce international art projects. Yogic, shamanic and nature vibrations consume my attention. This interaction increase beauty in my creative life every day.

Janis Mattox

Performing Artist: Composer, Musician; Visual Artist: Composer, Computer Arts, Musician, Performing Artist, Visual Artist

Janis Mattox, composer and pianist, is a native of Minnesota and graduate of the University of Minnesota (BA) and Northwestern University (MA) in Evanston, Illinois. She began creating multi-media works merging live performance, dance, film, and interactive digital music technologies at Stanford University’s Center for Computer Research in Music and Acoustics in the early 80’s. Her music-drama “Shaman” (1984) became the subject of a feature article in Smithsonian Magazine by Alan Rich. She was co-producer with Loren Rush and Elliot Mazer of “The Digital Domain” (1984-Elektra), a best selling classical CD which became an audio standard in the industry. Her video ballet “Book of Shadows” (1992) received over a dozen first-place awards and over fifty international screenings. Her most recent work is “Solombra” (SunShadow) – a song-cycle based on Brazilian poetry which premiered in 2005. Awards include a Guggenheim Fellowship, four NEA fellowships and several grants from the Ross McKee Foundation for her “Music for Kids by Kids” music education project (see Links page). Mattox is co-developer with Loren Rush of The Enhanced Piano in Just Intonation and GoodSound Virtual Acoustics – music technologies featured on “Solombra”

Joel Slayton

Educator; Visual Artist: 3D, Computer Arts, Educator, Visual Artist

Joel Slayton is a pioneering artist, educator, and curator. His professional activities explore contemporary culture as informed by emerging technologies. As co-founder of the L&J Ranch (launching fall 2018), Slayton is focused on cutting-edge research, creative projects and sense of place. He’s Professor Emeritus at San Jose State where he founded the CADRE Laboratory for New Media in 1984. Slayton’s artwork has been featured in over 100 exhibitions around the world including Berlin, Austria, Buenos Aires, and New York. For eight years he served as Executive Director of ZERO1, a Silicon Valley-based arts organization and agency for four international art biennials that featured over 600 artists from 45 countries. The SVNexus Award, sponsored by Adobe, was created to recognize pioneering artistic achievement at the intersection of arts and technology.

Allen Strange (Deceased)

Visual Artist: Computer Arts, Visual Artist

Allen Strange studied composition with Donal Michalsky at the California State University, Fullerton. He received his MA in 1967. He later studied composition with Robert Erickson, Harry Partch, and Ken Gaburo, and electronic media with Pauline Oliveros at the University of California, San Diego from 1967-8 and 1970-71. In 1970, Strange became a professor of music and the director of the electronic music studios at San Jose State University. He received grants from the San Jose State University Foundation for research into electronic music. Other grant support came from the American Music Center, Yamaha Corporation and the BIAHC Foundation. He attended John Chowning’s music seminar at the Stanford University Artificial Intelligence Center. Strange was one of the leading authorities on analogue electronic music; his book Electronic Music: Systems, Techniques, and Controls is now a classic text. He also wrote Programming and Meta-Programming the Electro-Organism, the operations manual for the Buchla Music Easel and documented the 200 Series synthesizers made by Buchla. He co-founded two performance groups: Biome (1967–72), in order to make use of the EMS Synthi; and, with Don Buchla in 1974, the Electric Weasel Ensemble. He was president of the International Computer Music Association from 1993–1998, and appeared as a guest artist-lecturer throughout the world. With his wife, Patricia, they published The Contemporary Violin: Extended Performance Techniques (Scarecrow Press). Strange composed for live electronic instrumental ensembles, for live and taped electronics with voices and acoustic instruments, and for the theater; most of his works for acoustic instruments require extended performance techniques. He was particularly interested in linear tuning systems (as in The Hairbreadth Ring Screamers, 1969, and Second Book of Angels, 1979), spatial distribution of sound (Heart of Gold, 1982, and Velocity Studies, 1983), the isolation of timbre as a musical parameter, and composing for groups of like instruments or voices. Elements of vaudeville, rock-and-roll, country-and-western music, and the guitar techniques of Les Paul are found in his works. His theater pieces employ various media including film, video, and lighting effects; he produced a series of such works in collaboration with the playwright and director Robert Jenkins, of which the most important are Jack and the Beanstalk (1979) and The Ghost Hour (1981), an audio drama. His later projects include works for solo and small ensembles (Three Short Stories, 2005), continuation of the Goddess Trilogy for solo violin (Goddess, 2003), works for electronic media with and without acoustic instruments (Quinault Cathedral, 2004 and Velocity Studies V: NGate, 2007), compositions for various chamber ensembles (Songs in Black, 2005, Another Fine Mess, 2006), works for orchestra (Bainbridge Sketches, 2006 and Brief Visits to Imaginary Places, 2007) and a complete evening of settings of poems by Eugene Field, The Cautionary Tales of Eugene Field, 2006-7). Strange retired from academia in 2002 and moved to Bainbridge Island, Washington to pursue a full-time career composing, concertizing with his wife, and working with his jazz trio, Cuvée. He died on February 20, 2008.

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